I began telling stories as a member of an acting ensemble in 1976, presenting storytelling as a major part of our repertoire. We worked primarily in park and recreation centers and schools. As members moved away or went into other fields, we evolved into – and I co-founded – the Black Storytellers Alliance (BSA) in direct response to the demand for storytelling to deliver the inspirational and cultural lessons embodied in our stories.
Early on I encouraged members of the audience to share the storytelling space by becoming a part of the story and one of the characters in the story. On many occasions, I was unable to use all the audience members who wanted to participate! It was wonderful to have so many trying to Read more »
Written by Gail N. Herman c. 2009 Nowhere in the profession of theatre arts is the phrase, “A willing suspension of disbelief” more necessary than in the telling of tall tales and lies (better known as whoppers). Each member of the audience has to be willing expend the effort to create in their mind’s eye a visual image of the actions of the characters in order to “get it.” Once they do, they are hooked. Storytellers use everything they can to Read more »
Well – see what happens when a summer project turns into a fall release the name of the show has changed. Early release woudl have been better I guess. This is part 2 of the course.
Press Play to hear Anne Glover speak about Finding Your Authentic Voice in Storytelling on the Art of Storytelling.
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Finding your Authentic Storytelling Voice.
Anne Glover writes….
Here are two things I feel passionately about in storytelling: authentic voice, and connection to the audience. They are closely intertwined. Some people think “authentic voice” means “no character voices.” If you’ve heard my dialogues with the character “Monkey,” you know that I use character voices, particularly for comedic episodes, as Eric learned when he interviewed me. (Have you recovered yet, Eric?) But when I use those other voices, I make a clear distinction in my voice, my brain, and my body between the character and my narrator.
As both a performer and a listener, I prefer a natural voice for the narrator persona. Sometimes as tellers, we think we need to be doing “more.” We alter our voice, add more breath, and drop to a different register, as if “storytelling” required something other than our true selves. It doesn’t. In fact, it demands that each of us bring our true self to the fore, without letting our ego get in the way of the story. This requires that we constantly watch ourselves and our deep intentions, with ferocious honesty.
Sometimes we get so wrapped in the notion that storytelling requires a special voice, that we get in the way of the story. Some people want to know how to “find” their authentic voice. Here’s a technique I like. I might say, for instance, Read more »
Press Play to hear Eric Wolf speak how you can support the Art of Storytelling with Brother Wolf.
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Purchase a HQ Mp3 File of Pre-loaded Apple Ipod with 100 episodes For more details on the Ipod Click Here. Order now for $438.00.
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For Immediate Release Wednesday, June 17, 2009
The Art of Storytelling with Brother Wolf is an internationally recognized podcast listened to in 142 countries worldwide with over 50,000 total lifetime downloads, 13,000 distinct listeners, and 8,000+ downloads in the last thirty days. With over 88+ storytellers interviewed on the show this website is rapidly becoming the worlds premiere source for teaching storytelling online. Through this encyclopedia of storytelling techniques a listener can improve their communication skills and get a complete storytelling education.
Heather Forest, Elizabeth Ellis, Judith Black, Jay O’Callahan, Andy Offutt Irwin, and many other storytellers are interviewed on how to use storytelling techniques in performing for and teaching storytelling to children. The Art of Storytelling with Brother Wolf has draw guests from all over the world and created an amazing storytelling education resource of storytelling techniques that is unmatched on the World Wide Web. All episodes available right now online for immediate listening and download in the commercial lower quality version for easier down load.
Individuals wishing to pre-purchase this commercial free ipod can pay $338.55 till July 27th. On July 27th the price for a preloaded ipod with 85 shows will increase too $394.65. The Apple Ipod allows listeners to scan easily to any point in each of the 85 hour long shows.
Press Play to hear Jay O’Callahan speak about learning about Stories by telling to my Children on the Art of Storytelling with Brother Wolf.
Jay O’Callahan writes…
I’m at work right now on a story commissioned by NASA, The National Aeronautics and Space Administration to celebrate its 50th anniversary. As I create the NASA story I’m aware I’m using all of the knowledge I gained telling stories to my own children. As I told stories to my children I began using repetition, rhythm, changing my voice, using a gesture here and there and inventing situations that involved struggle or risk, When my son Ted was about nine months old I’d make up little songs and rhythms to make him smile. Just making my voice go up high and then suddenly come down delighted him.
One night Ted was Read more »
African American, Beginning Storytelling Tips, Episode List, Magical Child, Storytelling in Libraries, Storytelling in Schools | Brother Wolf | 
January 10, 2010 4:58 pm | 
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