Purchase a HQ Mp3 File of Interview #016 Ellen Munds, Executive Director of Arts Indiana.
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The A B C’s of Running Festival.
Ellen Munds Writes.. In this interview we cover how to;
1. Create your mission statement or why you want to do a festival
2. Determine your target audience
3. Details such as indoor or outdoor, specific site for an event, accessibility, design and traffic flow of the site
4. Artistic Elements
5. Marketing and Public Relations
6. Funding
7. Budget
8. Volunteers
9. Care and Feeding of the storytellers, sponsors and volunteers
10. Evaluation of your Festival.
This interview should be heard by all members of the national storytelling network who are interested in running or creating there own storytelling festival. Storytellers who are serious about working the festival circuit should consider this episode required listening.
Ellen Munds is the executive director of Storytelling Arts of Indiana and one of three co-founders. She has served as the chair of the Read more »
Purchase a HQ Mp3 File of Interview #015 Eric James Wolf
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Each level of development that storytellers go through has it’s pitfalls and limitations. How can we as storytellers avoid the pitfalls that have befallen those who gone before? In this discussion Eric Wolf and Steve Otto explore how we as storytellers can go to the next level in our practice as storytellers.
From beginners to experts, performers to marketers what are the most common ways that we accept our limitations instead of challenging them? How have others successfully risen to successful practice of storytelling? These are some of the questions that we look at in this hour long episode of the Art of Storytelling with Brother Wolf Podcast.
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Thank you to all of you who continue to recommended the podcast to their friends – If you like the work we are doing please take a moment to recommend us to some one else.
Purchase a HQ Mp3 File of Interview #014 Carol Birch
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Copyright issues and storytelling.
Carol Birch writes… “More opportunities equal more responsibilities” is a simple explanation of copyright. As a librarian, I can read or tell stories to children in the library or as part of a school visit. Fair use also permits me to tell stories in classrooms where I teach graduate students. Responsibilities change when I’m hired as a storyteller, then acting ethically means seeking permission. However, Catch 22’s abound.
Clearing performance rights is the first thing to do, when seriously considering a story penned by another. Unfortunately, the first thing publishers and agents ask for are the date(s) and time(s) a story is to be performed. And who knows?
For more information on this topic, listen to the podcast and read an article that will be published in UP FOR DISCUSSION in School Library Journal, August, 2007. We’ve got to work together to establish some precedents to which we can all refer when we contact publishers.
Purchase a HQ Mp3 File of Interview #013
Cynthia Changaris
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Singing with Stories for Children.
Cynthia Changaris writes… Songs, rhythms and rhymes are a strong way to connect to children. I use singing and rhythms, finger-plays and rhymes in my work to develop an immediate response from the children, to connect to their previous knowledge, and to let them know this event is going to be fun and interactive. It allows me to issue an invitation, “Come on! Come along with me.”
When babies are in their mother’s womb, they are exposed to sounds, music from the outside, banging, etc. But, the most regular sound they are exposed to, which is a constant for them is the beat, beat, beat of the mother’s heart. This sound is often accompanied by the rocking of the Read more »
Purchase a HQ Mp3 File of Interview #012 Rick Carson
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Working with Fear and Children.
Written by Rick Carson…. Rick has been a professional storyteller for almost 25 years. He specializes in mountain and tall tales, ghost and humorous stories for all ages. Rick is experienced in telling at schools, libraries, organizational meetings and festivals and in giving workshops and residencies. He’s a member of the National Storytelling Network, the International Order of EARS, the Ohio Order for the Preservation of Storytelling and a charter member of Miami Valley Storytellers.
It has been my experience that the scary story is one of the most popular genres. Children begin liking scary stories from about the age of 8 or 10, although the exact age varies with each individual child. Some children never like them. Scary stories seem to hold a fascination for adults as well as children. This is true for a variety of Read more »
Purchase a HQ Mp3 File of Interview #011 Bill McKell
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Founding a Festival from Scratch.
Bill Mckell writes…
Creating the Southern Ohio Storytelling Festival in Chillicothe has been an interesting journey. I guess it began when my wife and I started attending the National Storytelling Festival in Jonesborough, TN when our daughters were quite young. When they became old enough to enjoy attending storytelling festivals, we were reluctant to invite them into the “get away” weekend we enjoyed in eastern Tennessee each year. So we searched for an alternate festival to which we could take them. We found the Cave Run Storytelling Festival near Morehead, KY and began taking them there. After attending a couple of years, my wife and I wondered if we could do something similar in our hometown of Chillicothe. The art and tradition of storytelling seemed a natural complement to the Read more »