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to hear Onawumi Jean Moss talk about how to create a Storytelling festival with multicultural goals on the Art of Storytelling with Brother Wolf.
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Onawumi Jean Moss
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Using culturally driven objects to create entertaining storytelling festivals.
Onawumi Jean Moss is an deep storyteller to draw from with her rich history on college campus and with her commitment to storytelling. She brings a solid grounding to the often airy art form of storytelling. I hope you enjoy listening to our interview as much as I enjoyed recording it.
More on Onawumi Jean Moss…
Onawumi Jean Moss of Amherst, Massachusetts is a storyteller, narrator, keynote speaker and author. Onawumi is a 2005 recipient of the Zora Neale Hurston Storytelling Award (November 2005), the highest award given by the National Association of Black Storytellers (NABS). She holds lifetime memberships in the National Storytellers Network (NSN) and the National Association of Black Storytellers (NABS). She is also a member of the League for the Advancement of New England Storytelling (LANES).
The performances of this talking book and rhythm master encourage pride of heritage, appreciation of cultural differences and recognition of kinship. This Tennessee native’s first stories were learned from her Read more »
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to hear Carol Birch discuss copyright issues and storytelling with Eric James Wolf on the Art of Storytelling with Show.
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Purchase a HQ Mp3 File of Interview #014 Carol Birch
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Copyright issues and storytelling.
Carol Birch writes… “More opportunities equal more responsibilities” is a simple explanation of copyright. As a librarian, I can read or tell stories to children in the library or as part of a school visit. Fair use also permits me to tell stories in classrooms where I teach graduate students. Responsibilities change when I’m hired as a storyteller, then acting ethically means seeking permission. However, Catch 22’s abound.
Clearing performance rights is the first thing to do, when seriously considering a story penned by another. Unfortunately, the first thing publishers and agents ask for are the date(s) and time(s) a story is to be performed. And who knows?
For more information on this topic, listen to the podcast and read an article that will be published in UP FOR DISCUSSION in School Library Journal, August, 2007. We’ve got to work together to establish some precedents to which we can all refer when we contact publishers.
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