Press Play to hear Storyteller Diane Edgecomb talk about place based nature storytelling on the Art of Storytelling with Brother Wolf.
Diane writes…
In this interview with Eric, I speak about how the various elements of nature mythology can be an enlivening force both for those who hear you tell and for your own journey into this ancient form of meaning. Storytelling a landscape and being storied by it is one of the most intimate and rewarding nature journeys one can take. Read more »
In 2004 I wrote an account for the UK storytelling magazine Facts & Fiction of how as an Englishman based in Germany I had become a teller of traditional folk tales to adult audiences. The article provided the occasion to look back on what had happened and what I had learnt. As befits a wonder tale, much was by coincidence and good fortune. However, I quickly learnt the need for organisation, and perhaps more slowly learnt the need to learn the art. Now Eric Wolf’s invitation serves as a chance to update that review, especially regarding any learning. Read more »
Available from Yvonne Healy, 5193 King Road, Howell, MI 48843, Phone: 810-813-3000.
Email: Stories@YHealy.com Order online from www.yhealy.com/products.html $14.00 (includes shipping & handling)
Reviewed By Linda Goodman
A citizen of two cultures, Irish and American, Yvonne Healy spoke both the Irish and English languages until she started elementary school. After that, Irish was her parents’ secret language, used to discuss things forbidden to children’s ears. From this world of diversity, cultural respect, and unspoken secrets was born one of America’s most endearing storytellers.
A little bit Ireland and a little bit USA, Healy’s stories have Read more »
Press Play to hear Storyteller Tim Ereneta talks about how he brought Storytelling to the Fringe on the Art of Storytelling with Brother Wolf.
Tim Erenta writes… Here’s the best thing about a storytelling performance in a Fringe Festival: I don’t have to wait to be discovered. I don’t have to worry about offending my host with my material. The stories that I want to tell, whether they are sacred or profane, personal or traditional: it’s all up to me. I get to decide what I want to put onstage. Such artistic freedom is exhilarating.
Here’s the worst thing about storytelling performance in a Fringe Festival: the audience gets to decide what show they want to see. The stories that I want to tell: there is no guarantee that audiences will want to hear them.
Editors note:The following post was written and submitted too me for the blog after regular listener Mihaela Blaga, a librarian from Romania, wrote me a very nice email describing her work and her success using storytelling as the focus of a retreat in her native county. B. W.
Hi Eric and readers of the Art of Storytelling Blog,
For me this first storytelling camp was a wonderful experience and also a dream that became reality…..
I decided to have a really entertaining program for this camp, so that it would be special for the children, a really story camp. We had trips, stories, fire camp, parties and of course we played a lot with the sleighs in the snow.
During the three days of camp, we had four storytelling workshops.
I started the “program of stories” with a beautiful one about forgiveness and about what it means to have a good heart full of love and friendship instead of hate or anger, and so, I gave a Read more »
The International Storytelling Center has asked a bankruptcy judge for permission to alter or annal nullify their contract with the National Storytelling Network.
This is a very personal moment for me – I am invested in the success of both these organizations. I am an active member of NSN and I believe that the ISC is essential for the success of the American storytelling revival. So who do I side with? I side with both organizations – being that I love them both – I am a child of two parents – long divorced – who are quarreling over money while the riches of the worlds drift through their fingers.
I know that many of you are mad at the ISC – I ask you to practice the better part of your nature and forgive… buy your tickets NOW to next years festival – I did – help this Jewel in the Crown of American Storytelling continue… I also ask the board members of NSN to defend NSN’s right to control the National Storytelling Festival and to negotiate with ISC as co-owners of the brand, name and event for the good of both organizations. Clearly no one wants to see ISC go down or NSN stripped of needed funding from the festival that represents members investment in the long term heath of the national storytelling festival.
Press Play to hear Antonio Rocha speak on accessing the language of the body using storytelling on the Art of Storytelling with Brother Wolf.
Antonio Writes…
Dear listeners, my journey into storytelling has been a magical one. First, with my mime training with Tony Montanaro and a bit with Marcel Marceau, taught me a lot about how body language communicates so eloquently. Not by translating a sentence into movement but rather the intention and essence of a narrative. Less is more. Then, I got a BA in theatre arts from The University of Southern Maine, there I learned some more about theatre . So, I started to tell orally but never forgetting the physical eloquence learned from mime. That mixed with my own creativity assured a very particular language. Such approach has given me the opportunity not only to go to the far corners of the world but to far corners of my own soul. The storytelling community is a Read more »