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David Novak – Storyteller’s Compass Using Narrative as Guide.


Press Play to hear David Novak who was interviewed by Eric Wolf on storyteller's compass using narrative as guide on the Art of Storytelling with Brother Wolf.

Press Play to hear David Novak who was interviewed by Eric Wolf on storyteller’s compass using narrative as guide on the Art of Storytelling with Brother Wolf.

Storyteller - David Novak spoke about the storyteller’s compass using narrative as guide on the Art of Storytelling with Brother Wolf podcast.

The Scattered Brain

by David Novak

“I heard telephones, opera house, favorite melodies
I saw boys, toys, electric irons and T.V.’s
My brain hurt like a warehouse, it had no room to spare
I had to cram so many things to store everything in there”
David Bowie, Five Years

I’m dreaming about a legless blind man when the radio alarm wakes me. In the short time it takes me to crawl to the bureau to turn off the radio (an arrangement designed to get me out of bed) I hear the DeeJay tell me that 5% of men surveyed admitted to wearing women’s underwear. I drift to the kitchen to feed the cat and dog and pour the coffee and juice. I go to the front door to collect the morning paper which informs me of the multimillion dollar judgement against O.J. and of an area magnet school which teaches children how to play the bagpipes. By the time I step back inside, my son is awake and Darkwing Duck is “getting dangerous” on the TV. I’ve been awake for less than 30 minutes and already I’m drowning in a sea of information, images and stories.

The day is far from finished. Everything is far from finished. I feel like my life is in the hands of an insomniac
channel-surfer: unfinished stories in constant collision with one another adding up to one story: life today. It is all so scatterbrained. I worry: what am I adding to the noise as a voice telling stories in the thick of all this? Who am I to enter the fight for everyone’s attention? What is the point of storytelling in the technologically determined culture of today?

Exo-Brain

Technology enhances us: clothes enhance skin, glasses enhance eyes, wheels enhance walking. Such enhancements extend our physical bodies outward. Our techno-bodies can “see,” “hear,” and “reach” farther than our bio-bodies. We technologically express our Read more »

Janice M. Del Negro – Revising Feminist Folk-tales: Naming the Women.


Press Play to hear Janice M. Del Negro  who was interviewed by Eric Wolf on revising feminist folk-tales: naming the women. on the Art of Storytelling.

Press Play to hear Janice M. Del Negro who was interviewed by Eric Wolf on revising feminist folk-tales: naming the women. on the Art of Storytelling with Brother Wolf.

Dr. Janice M. Del Negro  speaks on revising feminist folk-tales: naming the women. on the Art of Storytelling with Podcast.

Dr. Janice M. Del Negro writes
When Eric and I talked about a topic for this interview, he asked me what was I passionate about? I am passionate about naming the women.

That being said, I was reluctant to use the word “feminist” in the title of this podcast. The word “feminist” is a trigger word that elicits, in many people, a strong emotional response. Since I agree with Mark Twain – “the difference between the right word and the almost-right word is the difference between the lightning and the lightning-bug”- the choice of the word “feminist” was problematic, because nearly everyone has a distinct personal definition of that particular word. Eric bypassed that concern, however: “people will search ‘feminist’ online,” he said to the library school professor. So here we are, “Revisioning the Feminist Folktale,” and I am not sure that two people on the planet have the same definition of what “feminist” means, never mind folktale, or oral tradition. So I’ll stick to passion.

I am passionate about retelling folktales. I am passionate about excavating old tales, tales that have already survived for centuries, for emotional truths that resonate with contemporary listeners. There is no definitive version of a folktale, no “original”; we can point to Read more »

Storytelling in the Video Age

By Leslie Slape

If you’re a storyteller with a webcam, you can record your stories and post them on-line. It’s remarkably easy. Since July I have been busily recording stories and songs, making up for years of talking myself out of it because of the expense, the time commitment and my nervousness in front of the camera. Now the videographer is me, the venue is my own home, and telling to the webcam is as natural telling in front of a mirror.

Videos are a way to reach a far, far wider audience than you ever dreamed. Through my presence on storyteller.net, ProfessionalStoryteller.ning, Facebook and, most of all, YouTube, I have told to people in unexpected places such as Qatar, Croatia, Argentina and Indonesia. I have also forged new friendships with other storytellers. I absolutely Read more »

Andy Offutt Irwin – Entertaining children with out boring the grownups out of their skull.


Press Play to hear Andy Offutt Irwin who was interviewed by Eric Wolf on entertaining children with out boring the grownups out of their skull on the Art of Storytelling on Tuesday, Dec. 16th at 8pm.

Press Play to hear Andy Offutt Irwin who was interviewed by Eric Wolf on entertaining children with out boring the grownups out of their skull on the Art of Storytelling on Tuesday, Dec. 16th at 8pm.

Andy Offutt Irwin speaks on the Art of Storytelling with Brother Wolf on how to entertain children with out boring the grownups out of their skull.

Bio

A native of Covington, GA, Andy started out in comedy, but added music and storytelling because he had a lot more to say. In storytelling circles,he is especially known for relating the adventures of his eighty-five-year-old aunt,Marguerite Van Camp, M.D. He’s always on the go, performing at festivals, theatres and schools throughout the United States, including two gigs as a Featured Teller at the National Storytelling Festival, where in 2008 he will perform a solo concert at the Midnight Cabaret.

He has been a Teller in Residence at International Storytelling Center; a Guest Artist at La Guardia High School of Art, Music, and Performing Arts in New York (The “FAME!” School); and he has been a Keynote Speaker/Performer at the Library of Congress-Virburnum Foundation Conference on Family Literacy. He is an award winning recording artist with five titles and growing.

Andy used to have real jobs: from 1991 to 2007 he was Artist-In-Residence in Theatre at Oxford College of Emory University. He spent five years writing, directing and performing with the comedy improv troupe, SAK Theatre at Walt Disney World. But he’s had lots of more interesting life experience-type employment, including – but not limited to – actor, camp counselor, political satirist, youth director, janitor, deputy voter registrar, theatre orchestra conductor, garbage man, teacher, carpenter’s flunky, and bullfrog tadpole catcher (Honest).

You can learn about Andy Offutt Irwin’s current work at his website http://www.andyirwin.com.

Connie Regan-Blake A History of the National Storytelling Festival


Press Play to hear Connie Regan-Blake who was interviewed by Eric Wolf on a history of the National Storytelling Festival on the Art of Storytelling on Tuesday, Dec. 17th at 8pm.

Press Play to hear Connie Regan-Blake who was interviewed by Eric Wolf on a history of the National Storytelling Festival on the Art of Storytelling on Tuesday, Dec. 17th at 8pm.

Connie Connie  Reagen-Blake - storyteller and cofounder of the National Storytelling Network

Connie writes…
It was October 7, 1973, in Jonesborough, Tennessee – an afternoon that changed my life . . . and the course of storytelling in the United States. The setting was the first National Storytelling Festival.

I had been hired two years earlier by the Public Library in Chattanooga, TN, as a full time storyteller – another life changing event for me. So when I heard about a festival devoted to storytelling, I was thrilled – and knew I had to go. My cousin, Barbara Freeman, who was also a teller, was up for the adventure so we jumped in her little yellow truck and headed off on an adventure.

There I met and heard Ray Hicks, who was to become the patriarch of Southern Traditional Storytelling. He was perched on a flatbed truck, telling Jack Tales to a group of 35 of us, sitting on folding chairs in front of the County Courthouse, hanging onto his every word. When they asked if anyone in the audience wanted to tell, I jumped at the chance and have been involved ever since.

That day, I also met Jimmy Neil Smith, who had the brilliant idea to have a storytelling festival. His vision included an organization to promote the art of storytelling and two years later “NAPPS” came to life – the National Association for the Preservation and Perpetuation of Storytelling. With the town’s support for seed money, a Board of Directors and lots of volunteers, the word began spreading.

And now, over three decades later, storytelling is thriving.
That first intimate gathering inspired many to go home and start their own events. Now hundreds of storytelling festivals take place in almost every state in America and around the world from New Zealand to Austria. Today Jonesborough is home to the International Storytelling Center. The National Festival continues to be the premiere storytelling event in the country with an audience that has grown from the original 35 listeners to over 10,000 people who make the journey every year to listen to and tell stories. For many, it is a transformative experience; reawakening the comfort, joy, and pathos that is storytelling. Elizabeth Ellis sums it up best – “The festival is more fun than you can stand!”

For my own professional path, storytelling has taken me across the world. As a partner with Barbara Freeman, we were known as The Folktellers for 20 years and trail-blazed the art of tandem telling. During the past decade I have continued telling stories as a solo performer and workshop leader, as well as collaborating on a unique blend of storytelling and chamber music with the Kandinsky Trio.

Every autumn since 1973, I continue to be drawn to Jonesborough, and welcomed onstage with the distinct honor of being either a featured teller or an emcee. Now, after almost 40 years as a fulltime, professional storyteller, my life’s work continues to be a privilege and a blessing. And I always remember, as the storyteller I have the best seat on the house! Read more »

Storytelling and the Development of Ethical Behavior with Elizabeth Ellis


Press Play to hear Elizabeth Ellis who was interviewed by Eric Wolf on the relationship between Storytelling and the Development of Ethical Behavior on the Art of Storytelling with Brother Wolf on Wednesday, Dec. 3 at 8pm.

Press play to hear Elizabeth Ellis who was interviewed by Eric Wolf on the relationship between Storytelling and the Development of Ethical Behavior on the Art of Storytelling with Brother Wolf on Wednesday, Dec. 3 at 8pm.

Elizabeth Ellis storyteller kissing a frog while storytelling for children.

Elizabeth Ellis Writes…
If I had a nickel for every time someone
(attorney, state trooper, loan officer, IRS agent) has made fun of me because I told ’em I am a storyteller, I could take us all out to dinner. At a nice place. With tablecloths. Because often the public perception of storytelling is that it is fluff and foolishness.
Well, we storytellers know better, and we have survived an entire movement of Back to the Basics and Almighty State Testing. What the left brain-ers don’t realize is there is another entire level of education far more basic to being human than the 3 R’s will ever be.
The most basic things about being human come from the right side of the brain, not the left. Chief among them is the ability to make ethical decisions. I am not talking about Read more »

Podcasting is the future of storytelling…

Storyteller Eric James Wolf talks about Podcasting and the Storytelling movement.

Very few storytellers make it easy for potential clients to listen to their material online. Many storytellers choose to hide the treasure of their professional work behind a wall of profit and self-interest. Unluckily for them profit and self-interest can be better served by bringing down the wall. How do you expect potential clients to be sold on your ability as a storyteller if they have never heard you tell a story? How many potential presenters or school administrators are not hiring storytellers just because they had one bad experience and need more evidence to overcome their prejudice? How do you expect people to buy your online CD’s without being able to test the waters?

As a movement we are offering what the world wants to hear. Currently America is filled with cynical, disconnected and apathetic people who are dying for authentic relationships. What is good storytelling? – authentic, real and Read more »

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