Press Play to hear Brother Wolf takes questions from his audience on the Art of Storytelling Show on how to work with Audiences This is 2 of 3 shows commemorating the 100th Anniversary episode of the Art of Storytelling with Brother Wolf Show. This Episode is podcast in 128 bit rate – this higher bit rate costs more to cast online – if you enjoyed listening to the higher quality show – perhaps you would consider purchasing your next download through the website….
This picture is called a Wordie – it is picture of what words people are using when making comment on the blog. Read more »
I began telling stories as a member of an acting ensemble in 1976, presenting storytelling as a major part of our repertoire. We worked primarily in park and recreation centers and schools. As members moved away or went into other fields, we evolved into – and I cofounded – the Black Storytellers Alliance (BSA) in direct response to the demand for storytelling to deliver the inspirational and cultural lessons embodied in our stories.
Early on I encouraged members of the audience to share the storytelling space by becoming a part of the story and one of the characters in the story. On many occasions, I was unable to use all the audience members who wanted to participate! It was wonderful to have so many trying to Read more »
Here is a list of ideas for starting a storytelling festival in your school or your community.
Ways to get it started. (You pick which one you want to start with.) Find a few teachers and/or parents and offer to tell a story in the teachers’ classrooms. Start suggesting the idea that students can also retell or Read more »
Written by Gail N. Herman c. 2009 Nowhere in the profession of theatre arts is the phrase, “A willing suspension of disbelief” more necessary than in the telling of tall tales and lies (better known as whoppers). Each member of the audience has to be willing expend the effort to create in their mind’s eye a visual image of the actions of the characters in order to “get it.” Once they do, they are hooked. Storytellers use everything they can to Read more »
Press Play to hear Dr. Sherry Norfolk speak on why would should use storytelling in school settings on the Art of Storytelling with Brother Wolf.
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Why storytelling should be in Schools.
Sherry Norfolk Writes…
Last year, I taught a 3rd grade storytelling and creative writing residency in St Louis. The kids I worked with were typical – meaning that every child was different from every other child. They each had unique interests, skills and abilities. They each had different life experiences and different needs. Typical class, right? So; what? Why am I telling you about these typical kids?
Because they WERE typical! Because in that class, there were some kids who HATED to write and some kids who NEVER paid attention in class and some kids who HATED to get up in front of people for any Read more »
Press Play to hear Anne Glover speak about Finding Your Authentic Voice in Storytelling on the Art of Storytelling.
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Finding your Authentic Storytelling Voice.
Anne Glover writes….
Here are two things I feel passionately about in storytelling: authentic voice, and connection to the audience. They are closely intertwined. Some people think “authentic voice” means “no character voices.” If you’ve heard my dialogues with the character “Monkey,” you know that I use character voices, particularly for comedic episodes, as Eric learned when he interviewed me. (Have you recovered yet, Eric?) But when I use those other voices, I make a clear distinction in my voice, my brain, and my body between the character and my narrator.
As both a performer and a listener, I prefer a natural voice for the narrator persona. Sometimes as tellers, we think we need to be doing “more.” We alter our voice, add more breath, and drop to a different register, as if “storytelling” required something other than our true selves. It doesn’t. In fact, it demands that each of us bring our true self to the fore, without letting our ego get in the way of the story. This requires that we constantly watch ourselves and our deep intentions, with ferocious honesty.
Sometimes we get so wrapped in the notion that storytelling requires a special voice, that we get in the way of the story. Some people want to know how to “find” their authentic voice. Here’s a technique I like. I might say, for instance, Read more »
Press Play to hear Elisa Pearmain speak about a Teaching Forgiveness through storytelling on the Art of Storytelling.
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Teaching Forgiveness through storytelling.
Written by Elisa Pearmain…
Forgiveness is central to the success of relationships, and is an integral part of the emotional, spiritual and even physical healing process, and yet it is poorly understood. Forgiveness offers an opportunity to look at and relate to our stories of wounding in new ways. It calls us to see those who have hurt us with more complexity and empathy. It guides us to forgive ourselves, to untangle ourselves from wounding experiences and the role of victim, and ultimately to live more fully. Stories and storytelling work can help us to understand forgiveness more deeply, and to traverse the forgiveness process with more support and imagination.
In this podcast Elisa Pearmain focused on forgiveness for individuals rather than reconciliation between people or groups of people. She shared a few stories that illustrate aspects of the forgiveness process in action. She discussed some of her personal experiences with forgiveness. She shared some of her observations of the forgiveness process in her therapy practice, and how often at bottom we discover the need to forgive ourselves. Elisa discussed how retelling personal experience in folk and fairy tale can help in this healing process and how the “narrative reframing” or “shifts in perspective” are at the heart of forgiveness, and various techniques for shifting story perspectives she Read more »
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