Press Play to hear Brother Wolf takes questions from his audience on the Art of Storytelling Show on the future, current health and past history of the podcast. This is 1 of 3 shows commemorating the 100th Anniversary episode of the Art of Storytelling with Brother Wolf Show.
Each of the people asking questions on this show have there own work and I can hardly expect anyone to get all the way through this episode with out having to listen two or three times…
Audience Members who Participated in this Show…Read more »
My friend Tim Ereneta has hit upon a brilliant idea. On Youtube and elsewhere online are hundreds of really good storytelling videos already produced. He has found all those videos with their embed codes and moved them to one place. Just brilliant and just what we need. They say that a picture is worth a thousand words. This is the place to Read more »
Art is not limited by state budgets, the few hours of life apportioned or others acceptance. The only limitation of art is our desire to embrace art as we know it and to love that expression that calls us into our passion – into our being – into the voice of God. Of all the arts, storytelling is the most able to thrive despite budgets cuts, institutional ignorance and community apathy. Storytelling brings people together and serves as a beacon for community healing.
To be an artists is to give yourself over to a creative process that promise no fruit with each effort. But instead enlightens our lives with a gift that can only be declared – soul. Art in it’s purist form is God’s hand in our mortal lives. A living testament that their is more to our lives then this simple physical frame. To be an artist is to see the Read more »
Press Play to hear Christine Carlton and Jenni Cargill have a conversation on Australian Storytelling on the Art of Storytelling with Brother Wolf.
Tired of the tin sound?
Purchase a HQ Mp3 File of Interview #092 Christine Carlton and Jenni Cargill
2 Australian Storytellers
for $2.23
Examining the Skeletons in the Cultural Closet.
Written by Jenni Cargill-Strong
Eric asked what does it mean to be Australian? Ask 20 different Australians these questions and you might get 20 different answers.
Christine explained and I’d agree, that it can be hard to define the Australian identity, because we have such a diversity of cultures. Many Australians arrived in recent decades since World War 2. The Aboriginal population is less than 2% and most Aborigines live in isolated inland rural areas, whereas most Australians live in cities on the coast, so most Australians don’t have much direct contact with Aboriginal people or culture.
I would agree with Christine now that yes, if you were to generalize, as a people, we are mostly laconic, relaxed, friendly and we have a great sense of humor. Like any country, we also have our shadow, our racism and unresolved issues. However at least Aboriginal issues are much more on the table to be openly discussed now, our Prime Minister gave the apology* to the stolen generation** that many of us had been waiting for and progress is slowly happening with land rights.
Despite all the struggles of Aboriginal Australians, as we both mention in the interview, we now have not only Read more »
Press Play to hear Anne Glover speak about Finding Your Authentic Voice in Storytelling on the Art of Storytelling.
Tired of the tin sound?
Purchase a HQ Mp3 File of Interview #089 Anne Glover
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Finding your Authentic Storytelling Voice.
Anne Glover writes….
Here are two things I feel passionately about in storytelling: authentic voice, and connection to the audience. They are closely intertwined. Some people think “authentic voice” means “no character voices.” If you’ve heard my dialogues with the character “Monkey,” you know that I use character voices, particularly for comedic episodes, as Eric learned when he interviewed me. (Have you recovered yet, Eric?) But when I use those other voices, I make a clear distinction in my voice, my brain, and my body between the character and my narrator.
As both a performer and a listener, I prefer a natural voice for the narrator persona. Sometimes as tellers, we think we need to be doing “more.” We alter our voice, add more breath, and drop to a different register, as if “storytelling” required something other than our true selves. It doesn’t. In fact, it demands that each of us bring our true self to the fore, without letting our ego get in the way of the story. This requires that we constantly watch ourselves and our deep intentions, with ferocious honesty.
Sometimes we get so wrapped in the notion that storytelling requires a special voice, that we get in the way of the story. Some people want to know how to “find” their authentic voice. Here’s a technique I like. I might say, for instance, Read more »
What an amazing resource! This book is an excellent effective resource for anyone who works with schools, camps, libraries, and just wants to share it on from family book shelves. It is a must for storytellers who intend to tell scary stories to children under fourteen. This anthology of scary stories clearly demonstrates the rich selection of plots and stories that are common in America today. Many of the more traditional stories are provided with slightly different twists. This produces fun to read (or hear) collections for the new storyteller while still holding the interest of those readers (or listeners) who have heard these tales. There are several original stories that are found nowhere else – plus a large selection of the old standbys. Altogether there are twenty stories placed in five categories with four stories per group: Just Deserts, Ghostly Guardians, Dark Humor, Urban Legends and Fearless Females. You are bound to Read more »
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Brother Wolf, Episode List, International Storytelling, Professional Development | Brother Wolf | 
March 31, 2010 12:16 pm | 
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