Press Play to hear Odds Bokin speak on Storytelling in the Bardic Tradition on the Art of Storytelling with Brother Wolf.
Odds Bodkin Writes…
Bardic storytelling–that is, spoken words with live music–is a tradition that dates back to Homer and more deeply into almost all shamanic traditions. Homer plucked a lyre, scholars believe, and recited The Iliad and The Odyssey with character voices. Shamanic traditions have used music with spoken narrative to transport audiences ever since local history and the religious impulse demanded human expression. Read more »
Press Play to hear Leeny Del Seamonds on using character voices in your storytelling on the Art of Storytelling with Brother Wolf.
Written by Leeny Del Seamonds
My journey into professional storytelling came through a stage door. Raised in a theatrical family who ‘spoke story’ (and always gestured with their hands), I eventually studied acting, improvisation, voice, dance and mime. Armed with a B.A. in Theatre/Performing Arts (minor in Directing) from Rowan University , I moved to the Big Apple to make my mark. In between off (and sometimes off-off) Broadway gigs, I took additional classes in voice, acting and mime. An actor never stops learning and growing in her craft/calling. One of the most significant things I learned along the way is the value of having a strong and varied voice and how to Read more »
Press Play to hear Diane Wolkstein and Connecting with Audiences, Other Cultures and Ourselves on the Art of Storytelling with Brother Wolf.
Diane Wolkstein is one of the world’s most preminent storytellers and the award-winning author of more than 30 books, CDs, and DVDs. From amusing children’s tales to epic adventures for adults, Wolkstein has performed and collected stories on five continents. Her lively and Read more »
Press Play to hear storyteller Larry Brown talks about storytelling in higher education on the Art of Storytelling with Brother Wolf.
All life is narrative, well at least narrative is how we perceive the structure of the cosmos, derive meaning, use language, and develop community. That seems to be a universal experience. I cannot imagine teaching informally or formally without narrative, without telling stories. So in the undergraduate or graduate classroom, or in alternative adult education, I do tell. I am aware that considerable contemporary research has indicated the value and effectiveness of story in teaching/learning, but I often structure the class period itself as a narrative plot. The class Read more »
Press Play to hear Storyteller Diane Edgecomb talk about place based nature storytelling on the Art of Storytelling with Brother Wolf.
In this interview with Eric, I speak about how the various elements of nature mythology can be an enlivening force both for those who hear you tell and for your own journey into this ancient form of meaning. Storytelling a landscape and being storied by it is one of the most intimate and rewarding nature journeys one can take. Read more »
Press Play to hear Storyteller Tim Ereneta talks about how he brought Storytelling to the Fringe on the Art of Storytelling with Brother Wolf.
Tim Erenta writes…
Here’s the best thing about a storytelling performance in a Fringe Festival: I don’t have to wait to be discovered. I don’t have to worry about offending my host with my material. The stories that I want to tell, whether they are sacred or profane, personal or traditional: it’s all up to me. I get to decide what I want to put onstage. Such artistic freedom is exhilarating.
Here’s the worst thing about storytelling performance in a Fringe Festival: the audience gets to decide what show they want to see. The stories that I want to tell: there is no guarantee that audiences will want to hear them.
The challenge, then, is to connect to Read more »
Press Play to hear Antonio Rocha speak on accessing the language of the body using storytelling on the Art of Storytelling with Brother Wolf.
Dear listeners, my journey into storytelling has been a magical one. First, with my mime training with Tony Montanaro and a bit with Marcel Marceau, taught me a lot about how body language communicates so eloquently. Not by translating a sentence into movement but rather the intention and essence of a narrative. Less is more. Then, I got a BA in theatre arts from The University of Southern Maine, there I learned some more about theatre . So, I started to tell orally but never forgetting the physical eloquence learned from mime. That mixed with my own creativity assured a very particular language. Such approach has given me the opportunity not only to go to the far corners of the world but to far corners of my own soul. The storytelling community is a Read more »