Category: Creating Success

Join the Art of Storytelling with Brother Wolf Podcast

Would you like to be a part of a storytelling conference call that supports you in your use of storytelling? If so, then enter your name and email address and you will receive personal invitations to participate in The Art of Storytelling with Brother Wolf Conference call – most Tuesdays at 8pm Eastern.

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Share your thoughts on the call, connect with old time storytellers and ask questions to experts in the field.

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And don’t forget to subscribe by iTunes or your browser to The Art of Storytelling with Brother Wolf so you can get inspirations from Bother Wolf direct to your desktop. Read the info on the right to find out how. It’s free and it’s super simple.

Odds Bodkin – Storytelling in the Bardic Tradition

Odds Bodkin Bard and Storyteller Press Play to hear Odds Bokin speak on Storytelling in the Bardic Tradition on the Art of Storytelling with Brother Wolf.

Press Play to hear Odds Bokin speak on Storytelling in the Bardic Tradition on the Art of Storytelling with Brother Wolf.

Odds Bodkin Writes…
Bardic storytelling–that is, spoken words with live music–is a tradition that dates back to Homer and more deeply into almost all
shamanic traditions. Homer plucked a lyre, scholars believe, and recited The Iliad and The Odyssey with character voices. Shamanic traditions have used music with spoken narrative to transport audiences ever since local history and the religious impulse demanded human expression. Read more »

How do we Succeed in bringing Storytelling to Audiences?

Recently I asked the question on Facebook and elsewhere are you comfortable using the word theatre to sell storytelling events? I liked Mary Grace’s reply and I invite you to think deeply about her application of these ideas. Brother Wolf

Mary Grace Ketner writes…
Marygrace2I would not use the word “theatre” itself, but I often use other terms related to theatre, such as “performance” or “stage.” I fear that if a person comes in expecting lights and costumes, it will take them some real readjustment time to appreciate what is actually going on in a room where one person, dressed pretty much like everyone else, is standing up and holding a microphone. And there may not be enough “readjustment time” for that, anyway. What I like about opera, for example, is the set and costumes and drama. 4 people standing there singing in Italian doesn’t usually do it for me, and 10 or 15 minutes is enough of that. Others have also mentioned the misleading expectation of a particular repeated script (perhaps a famous, well-traveled one that can be compared with a version one’s friends saw or that one has seen before) and the fourth wall: actors talking to each other as though no one were watching, the audience as peeping Tom.

In preparing storytelling programs, even something like a local Tellabration!, I have found that many storytellers do not like to Read more »

Planning a World Storytelling Event from Start to Finish in 25 Days

World Storytelling Day
by Stuart H. Nager

I found out about World Storytelling Day (http://worldstorytellingday.webs.com/) on February 23, 2011, through a posting on Facebook. The global event, centered around the theme of Water, was to be on or around March 20th. I’ve been working hard as a Teaching Artist, doing my storytelling and other performance gigs here and there, and thought this was a great day to support. Jazzed, excited and energized, I already had a meeting set up for the 24th with Read more »

Tim Ereneta – Bringing Storytelling to the Fringe.


Press Play to hear Storyteller Tim Ereneta talks about how he brought Storytelling to the Fringe on the Art of Storytelling with Brother Wolf.

Press Play to hear Storyteller Tim Ereneta talks about how he brought Storytelling to the Fringe on the Art of Storytelling with Brother Wolf.

Storyteller Tim Ereneta storytelling Prince Charming

Tim Erenta writes…
Here’s the best thing about a storytelling performance in a Fringe Festival: I don’t have to wait to be discovered. I don’t have to worry about offending my host with my material. The stories that I want to tell, whether they are sacred or profane, personal or traditional: it’s all up to me. I get to decide what I want to put onstage. Such artistic freedom is exhilarating.

Here’s the worst thing about storytelling performance in a Fringe Festival: the audience gets to decide what show they want to see. The stories that I want to tell: there is no guarantee that audiences will want to hear them.

The challenge, then, is to connect to Read more »

Kathy Collins – Comedian as Storyteller – Storytelling as Comedy.


Press Play to hear Kathy Collins speak on being a Comedian who tells stories and being a storyteller who uses comedy on the Art of Storytelling with Brother Wolf

Press Play to hear Kathy Collins speak on being a Comedian who tells stories and being a storyteller who uses comedy on the Art of Storytelling with Brother Wolf.

Kathy Collins as Tita

Although I began storytelling as a teenage in high school forensics competitions, I have always felt like an imposter among “real” tellers. I consider myself an actress, one who memorizes lines and portrays characters, as opposed to a wise and wonderful wordsmith. Over years of performing, I’ve become a lot more comfortable with straying from the script and improvising, but it still seemed more like acting than telling. On Maui, I have a greater reputation as a comedienne than a storyteller.

Then I was blessed with the chance to perform this summer at the Lincoln Center Out of Doors Project, where I was billed as one of several poets in the La Casita Festival. Talk about feeling out of my league… now I’m a phony poet too? It seems to me that all poets are storytellers, but not all storytellers are poets. Or are they/we?

Fortunately, this summer I also attended a storytelling festival in Canada’s Northwest Territories. At a tellers’ workshop there, I was surprised to hear Read more »

Launching Applied Storytelling

Applied-Storytelling

Today I am proud to share with you my new project – Applied Storytelling a seven minute weekly podcast examining every aspect of the application of storytelling in life, business and culture.

Any listener is welcome to suggest a question that I (Eric Wolf) will endeavor to answer to the best of my ability. Any question on the application to storytelling will be answered – if I do not know the answer I will find some one else who does know the answer.

This project will publish weekly but only the first of episode published each month. The other three episodes produced each month will publish inside the members only section of the International Storytelling School’s Website. You can read more about the School at http://www.thestorytellingschool.com

The free episodes in will appear as a separate feed and as a part of the Art of Storytelling Show’s feed as well.

The transcript and audio of the first show are available here – http://www.thestorytellingschool.com/2010/09/applied-storytelling-community-performance-storytelling/

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