Category: Festival Organizing

Jimmy Neil Smith – The Future of the International Storytelling Center


Press Play to hear Jimmy Neil Smith about the future of the International Storytelling Center on the Art of Storytelling with Brother Wolf.

Press Play to hear Jimmy Neil Smith about the future of the International Storytelling on the Art of Storytelling Center with Brother Wolf.

Jimmy Neal Smith - President of the International Storytelling Center.
Photo Courtesy of Fresh Air Photo

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Jimmy Neil Smith
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The Future of the International Storytelling Center

Jimmy Neil Smith writes…
In the early 1990s, I attended a conference of the Tennessee Arts Commission in nearby Johnson City.
During the session, potter Bill Strickland spoke about the arts-based Manchester Craftsmen’s Guild and Bidwell Training Center in inner-city Pittsburgh—an institution, founded by Strickland, that teaches low-income, inner-city youths an employment skill.

Strickland spoke eloquently about his institution and its program. His address was stirring and powerful. Then, as a closing, Strickland said, “I challenge each of you to go home and build an institution that confirms and makes real what you know.”

Strickland’s challenge inspired me.

Less than a year later, the National Storytelling Association announced the development of what would become the International Storytelling Center—the organization’s first permanent home in 30 years and a “launching pad” for a series of national and international programs, products, and services.

It was Strickland’s challenge that would give birth to the institution that has become the International Storytelling Center. The Center campus—now composed of the elegant Mary B. Martin Storytelling Hall, Historic Center Inn, and the Storytelling Community Park—opened in June of 2002.

Through the work of ISC, we are seeking to confirm and make real what we know about storytelling—the ancient tradition that is as old as humankind yet as modern as this morning’s headlines. Now, in 2010, ISC is launching an Read more »

Michal Malinowski – The Storytelling Museum of Poland.


Press Play to hear Michal Malinowski speaking on the Storytelling Museum of Poland on the Art of Storytelling with Brother Wolf.

Press Play to hear Michal Malinowski speaking on the Storytelling Museum of Poland on the Art of Storytelling with Brother Wolf.

Michal Malinowski talks about the storytelling Museum of Poland on the Art of Storytelling.
A storyteller – shaman from Altay in Siberia at the festival of Intangible Heritage organized by the Storytelling Museum.

Interview #094
Michal Malinowski
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The Storytelling Museum of Poland

Michal Malinowski writes…
The Storyteller Museum is a unique institution devoted to the collection, preservation and promotion of oral heritage from all over the world. Our mission is to save the vanishing examples of intangible treasures, acquaint new generations with the oral tradition of a variety of cultures and revive the custom of storytelling. Nonetheless, our attention is also devoted not only to tribal storytelling but also to contemporary trends in oral expression. The Museum has been the leading place in Poland to developed the storytelling revival movement. We have organized Storytelling Festivals and workshops in our location and other places in the country

The Storyteller Museum has an innovative approach to collecting and exhibiting different cultural artifacts by applying the latest achievements of digital technology. Our interests pertain not only to narrative texts but also to Read more »

Gail Herman – Building a Student Storytelling Festival.


Press Play to hear Gail Herman speaks on building a student storytelling festival on the Art of Storytelling with Brother Wolf.

Press Play to hear Gail Herman speaks on building a student storytelling festival on the Art of Storytelling with Brother Wolf.

Gail Herman speaks on building a student storytelling festival on the Art of Storytelling.

Interview #093
Gail Herman
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Building a Student Storytelling Festival.

Written by Gail N. Herman, Ph.D. © 2009
I have loved working with students on storytelling in the schools for over 30 years. One of the events that students love is to share their stories with younger audiences. The older students feel like they are giving a gift to them. Students enjoy entertaining and “helping the little ones.” However, after some in-depth exploration, training and practice telling to an audience, some students want to share their stories with wider audiences of all ages. Below are types of festivals I have found to be very successful.

Here is a list of ideas for starting a storytelling festival in your school or your community.

Ways to get it started. (You pick which one you want to start with.)
Find a few teachers and/or parents and offer to tell a story in the teachers’ classrooms. Start suggesting the idea that students can also retell or Read more »

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Catherine Burns – Artistic Director of The Moth – Diamonds in the Rough – Coaching New Storytellers.


Press Play to hear Catherine Burns - Artistic Director of The Moth - speaking on diamonds in the rough, coaching new storytellers. on the Art of Storytelling with Brother Wolf.

Press Play to hear Catherine Burns who is Artistic Director of The Moth speaking on diamonds in the rough, coaching new storytellers on the Art of Storytelling with Brother Wolf.

A representation of The Moth storytelling powerhouse of NYC and LA appearing on the Art of Storytelling with Brother Wolf.

The Moth is America's #1 storytelling podcast with over 600,000 downloads a month and at least 100,000 listeners. Catherine Burns is one of the minds behind the curtain at The Moth storytelling main stage in NYC and LA.

The Moth storytelling website.

Storytelling in the Video Age

By Leslie Slape

If you’re a storyteller with a webcam, you can record your stories and post them on-line. It’s remarkably easy. Since July I have been busily recording stories and songs, making up for years of talking myself out of it because of the expense, the time commitment and my nervousness in front of the camera. Now the videographer is me, the venue is my own home, and telling to the webcam is as natural telling in front of a mirror.

Videos are a way to reach a far, far wider audience than you ever dreamed. Through my presence on storyteller.net, ProfessionalStoryteller.ning, Facebook and, most of all, YouTube, I have told to people in unexpected places such as Qatar, Croatia, Argentina and Indonesia. I have also forged new friendships with other storytellers. I absolutely Read more »

Andy Offutt Irwin – Entertaining children with out boring the grownups out of their skull.


Press Play to hear Andy Offutt Irwin who was interviewed by Eric Wolf on entertaining children with out boring the grownups out of their skull on the Art of Storytelling on Tuesday, Dec. 16th at 8pm.

Press Play to hear Andy Offutt Irwin who was interviewed by Eric Wolf on entertaining children with out boring the grownups out of their skull on the Art of Storytelling on Tuesday, Dec. 16th at 8pm.

Andy Offutt Irwin speaks on the Art of Storytelling with Brother Wolf on how to entertain children with out boring the grownups out of their skull.

Bio

A native of Covington, GA, Andy started out in comedy, but added music and storytelling because he had a lot more to say. In storytelling circles,he is especially known for relating the adventures of his eighty-five-year-old aunt,Marguerite Van Camp, M.D. He’s always on the go, performing at festivals, theatres and schools throughout the United States, including two gigs as a Featured Teller at the National Storytelling Festival, where in 2008 he will perform a solo concert at the Midnight Cabaret.

He has been a Teller in Residence at International Storytelling Center; a Guest Artist at La Guardia High School of Art, Music, and Performing Arts in New York (The “FAME!” School); and he has been a Keynote Speaker/Performer at the Library of Congress-Virburnum Foundation Conference on Family Literacy. He is an award winning recording artist with five titles and growing.

Andy used to have real jobs: from 1991 to 2007 he was Artist-In-Residence in Theatre at Oxford College of Emory University. He spent five years writing, directing and performing with the comedy improv troupe, SAK Theatre at Walt Disney World. But he’s had lots of more interesting life experience-type employment, including – but not limited to – actor, camp counselor, political satirist, youth director, janitor, deputy voter registrar, theatre orchestra conductor, garbage man, teacher, carpenter’s flunky, and bullfrog tadpole catcher (Honest).

Connie Regan-Blake A History of the National Storytelling Festival


Press Play to hear Connie Regan-Blake who was interviewed by Eric Wolf on a history of the National Storytelling Festival on the Art of Storytelling on Tuesday, Dec. 17th at 8pm.

Press Play to hear Connie Regan-Blake who was interviewed by Eric Wolf on a history of the National Storytelling Festival on the Art of Storytelling on Tuesday, Dec. 17th at 8pm.

Connie Connie  Reagen-Blake - storyteller and cofounder of the National Storytelling Network

Connie writes…
It was October 7, 1973, in Jonesborough, Tennessee – an afternoon that changed my life . . . and the course of storytelling in the United States. The setting was the first National Storytelling Festival.

I had been hired two years earlier by the Public Library in Chattanooga, TN, as a full time storyteller – another life changing event for me. So when I heard about a festival devoted to storytelling, I was thrilled – and knew I had to go. My cousin, Barbara Freeman, who was also a teller, was up for the adventure so we jumped in her little yellow truck and headed off on an adventure.

There I met and heard Ray Hicks, who was to become the patriarch of Southern Traditional Storytelling. He was perched on a flatbed truck, telling Jack Tales to a group of 35 of us, sitting on folding chairs in front of the County Courthouse, hanging onto his every word. When they asked if anyone in the audience wanted to tell, I jumped at the chance and have been involved ever since.

That day, I also met Jimmy Neil Smith, who had the brilliant idea to have a storytelling festival. His vision included an organization to promote the art of storytelling and two years later “NAPPS” came to life – the National Association for the Preservation and Perpetuation of Storytelling. With the town’s support for seed money, a Board of Directors and lots of volunteers, the word began spreading.

And now, over three decades later, storytelling is thriving.
That first intimate gathering inspired many to go home and start their own events. Now hundreds of storytelling festivals take place in almost every state in America and around the world from New Zealand to Austria. Today Jonesborough is home to the International Storytelling Center. The National Festival continues to be the premiere storytelling event in the country with an audience that has grown from the original 35 listeners to over 10,000 people who make the journey every year to listen to and tell stories. For many, it is a transformative experience; reawakening the comfort, joy, and pathos that is storytelling. Elizabeth Ellis sums it up best – “The festival is more fun than you can stand!”

For my own professional path, storytelling has taken me across the world. As a partner with Barbara Freeman, we were known as The Folktellers for 20 years and trail-blazed the art of tandem telling. During the past decade I have continued telling stories as a solo performer and workshop leader, as well as collaborating on a unique blend of storytelling and chamber music with the Kandinsky Trio.

Every autumn since 1973, I continue to be drawn to Jonesborough, and welcomed onstage with the distinct honor of being either a featured teller or an emcee. Now, after almost 40 years as a fulltime, professional storyteller, my life’s work continues to be a privilege and a blessing. And I always remember, as the storyteller I have the best seat on the house! Read more »

Dovie Thomason – Building Young Adult Audiences:


Press Play to hear this interview that was recorded as a conference call on Tuesday June 3rd at 8 p.m. SWC #057 with storyteller, Dovie Thomason - Building Young Adult Audiences.

Press Play to hear this interview that was recorded as a conference call on Tuesday June 3rd at 8 p.m. SWC #057 with storyteller, Dovie Thomason – Building Young Adult Audiences.

Dovie Thomason writes…

I enjoy listening… I enjoy dialogue…I hope to learn something from every group of listeners or every chance conversation. SO….join me/us for this podcast, which isn’t about “The Answer”, but a collaborative search for alternatives and new visions that speak to a question many of us are asking: Where are the Young Adults in our Audiences?

There is considerable conversation going on about the “graying”
(I prefer silvering…) of the storytelling community. Yet, these conversations seem to deal primarily with the age of the Storytellers, not the age of the Listeners…. How can we issue an invitation and create a sense of inclusion and an appreciation for the vital role of stories at all ages, but particularly with the extraordinarily responsive and interactive and “plugged-in” 15-30 year olds (more or less…).

Overseas, particularly (in my experience) in Europe, it is not unusual to have strong representation from Read more »

Karen Chace – Story by Story – Building a School Storytelling Club

Fill out the form and press play to hear Karen Chace talks about building a school storytelling club on the Art of Storytelling with Brother Wolf.

Karen Chace Storyteller and Educator

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Interview #056
Karen Chace
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Story by story, building a school storytelling club.

Karen has a great resource of storytelling links and other storytelling goodies that are worth your time at http://www.storybug.net

On a warm, spring night in June of 2003 nineteen third and fourth grade elementary storytelling students took center stage in the school auditorium. The event was the first Student Storytelling Festival where their dedication and talent came together for a glorious evening of folktales, fables, myths and legends from around the world. Each child had personally selected their tale and their work quickly became a labor of love. Without hesitation each storyteller stepped to the Read more »

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