Art is not limited by state budgets, the few hours of life apportioned or others acceptance. The only limitation of art is our desire to embrace art as we know it and to love that expression that calls us into our passion – into our being – into the voice of God. Of all the arts, storytelling is the most able to thrive despite budgets cuts, institutional ignorance and community apathy. Storytelling brings people together and serves as a beacon for community healing.
To be an artists is to give yourself over to a creative process that promise no fruit with each effort. But instead enlightens our lives with a gift that can only be declared – soul. Art in it’s purist form is God’s hand in our mortal lives. A living testament that their is more to our lives then this simple physical frame. To be an artist is to see the Read more »
Well – see what happens when a summer project turns into a fall release the name of the show has changed. Early release woudl have been better I guess. This is part 2 of the course.
I am happy to share the latest number from the show. For the last 3 months we have been running over six thousands downloads a month Currently listeners are in over 104 countries world wide. The average released episodes has 1000 listeners with 26,000 downloads since June 1st.
Thank-you for all of those who have been so supportive. I have changed the name of the show.
As of two days ago the Art of Storytelling with Brother Wolf is the Art of Storytelling with Brother Wolf. The name has been changed to help with audience identity and growth.
Finally – the many of the episode CD’s of the show will be for sale in the National Storytelling Festival Marketplace tent. Make sure that you stop by the tent at the Market Place and buy and pick up a CD!
What an amazing resource! This book is an excellent effective resource for anyone who works with schools, camps, libraries, and just wants to share it on from family book shelves. It is a must for storytellers who intend to tell scary stories to children under fourteen. This anthology of scary stories clearly demonstrates the rich selection of plots and stories that are common in America today. Many of the more traditional stories are provided with slightly different twists. This produces fun to read (or hear) collections for the new storyteller while still holding the interest of those readers (or listeners) who have heard these tales. There are several original stories that are found nowhere else – plus a large selection of the old standbys. Altogether there are twenty stories placed in five categories with four stories per group: Just Deserts, Ghostly Guardians, Dark Humor, Urban Legends and Fearless Females. You are bound to Read more »
Last summer I pushed for the recording of important sessions of the National Storytelling Network’s (NSN) 2008 Conference I was recording my session on the future of storytelling online for this podcast. I figured why not do a little more? I exhausted myself and recorded the membership session and the regional NSN rep session. These recording are the property of NSN. Unluckily I work for myself like most artists and it took me two months to edit the work – then having finished it – I promptly forgot about it. Finally in November I got my copies to the NSN board. Jo Radner, the NSN board chair was very excited about getting some key sessions recorded. I got the feeling the board would have liked faster service – but you know the old saying you get what you pay for and I was free.
Others recorded the Keynotes and the Master storytellers concert. I don’t know what happened to these files. I’m sure the NSN got a copy of them somewhere. The master storytellers performance – Doc McConnell’s last performance – was almost not recorded! I saw the volunteer putting his equipment away before the performance, and when I asked why, I was told by NSN volunteers that the storytellers would never agreed to their work being recorded.
So I walked up to each storyteller and asked them for permission to record their performance “for NSN” with any other uses to be worked out later. They all said yes with a great deal of passion and Doc McConnell said we could do anything NSN wanted with his recording. I’m sure I was too pushy for bystanders
The reality is that storytelling has an advantage over other art forms, because new work is always being created. We all have material that we have not performed in years. We all have stories that were once primary to our performance, but now no longer capture our attention. What if all of that material was still available? Mostly I try to downplay storytellers’ fears by asking this one question: Reframing the whole debate… Do you want to be a part of the historical record?
That is how I would frame this debate over recording conference sessions.
Five years from now if this material is available will it still matter to you? Won’t you be on to other things? Wouldn’t it be nice to have this historical moment recorded? The question is not “Do we record our conference sessions?” The question really is ”When do we release our conference sessions? One year? Two years? Five years from now?”
The storytelling skill set is timeless – the skills and abilities we have today will not, unlike computers, internet or blogging, become old fashioned – they are ageless. I personally know that the storytelling movement has a lot to offer the world and think it’s time we stepped up to the plate to offer our skills. NSN or any other national organization could be the vehicle for that delivery. Who ever builds a content delivery system around the art of storytelling first will win that race and be the source for the international storytelling movement for the next twenty years. My website www.artofstorytellingshow.com is well on the way to being the source for all things relating to storytelling with children, but what about storytelling with seniors, in business, marketing, or any of a dozen different topics that I have not had time or resources to cover in the depth that should be covered?
NSN could be so much more then a network, using it’s conference it could bring the separate candles of the storytelling community into a bright light that would shine forth across the world.
Would you like to be a part of a storytelling conference call that supports you in your use of storytelling? If so, then enter your name and email address and you will receive personal invitations to participate in The Art of Storytelling with Brother Wolf Conference call – most Tuesdays at 8pm Eastern.
I will not share or give away your email address.
And don’t forget to subscribe by iTunes or your browser to The Art of Storytelling with Brother Wolf so you can get bi-weekly inspirations from Bother Wolf direct to your desktop. Read the info on the right to find out how. It’s free and it’s super simple.
I rarely write articles for this bog – but I started thinking about it and I thought as way of thanks I would write a short article giving thanks to all those bloggers who have been so supportive of my podcast over the years. Keeping in mind that many of these people have become my friends, I apologize to any worthy storytelling blogger who feels excluded form this list.
If you reading this post – I’m sure you are reading this post on my blog so I’m sure I don’t need to convince you of the value of this blog on the web. I have tried to bring to this podcast every storyteller of every merit in the international storytelling movement. I only have a few hundred to go – so please spread the word as to the value of this resource.
Tim Ernetta has a fabulous blog called “Breaking the Eggs: Performance storytelling in the 21st Century”. Tim planned years in advance for this blog by reserving the word storytelling in the blogspot universe – thank goodness he had the foresight. Instead of another dry examination of movies, theater or television, we get this entertaining look at American storytelling. He has one of the most refreshing views of what it means to be a modern storyteller. His examination of the boundaries of storytelling and his willingness to leave no stone unturned in his examination of what it means to be a storyteller, professional or other wise, makes this blog required reading for anyone who is serious about storytelling in the United States.
A Ning is a new word like Google, Ebay or Facebook – Nings are dedicated online communities with a common philosophical focus. The professional storytelling Ning founded by Dianne de Las Casus includes not just one blog, but Read more »
Very few storytellers make it easy for potential clients to listen to their material online. Many storytellers choose to hide the treasure of their professional work behind a wall of profit and self-interest. Unluckily for them profit and self-interest can be better served by bringing down the wall. How do you expect potential clients to be sold on your ability as a storyteller if they have never heard you tell a story? How many potential presenters or school administrators are not hiring storytellers just because they had one bad experience and need more evidence to overcome their prejudice? How do you expect people to buy your online CD’s without being able to test the waters?
As a movement we are offering what the world wants to hear. Currently America is filled with cynical, disconnected and apathetic people who are dying for authentic relationships. What is good storytelling? – authentic, real and Read more »
Saturday, October 25, 2008
For Immediate Release
Contact: Eric James Wolf
Phone: (937) 767-869 Speaking out in Defense of Scary Stories on the Art of Storytelling with Brother Wolf Show
Eric James Wolf, professional storyteller and host of the Art of Storytelling with Brother Wolf Show, is available for print, radio and television interviews to defend the use of the scary Halloween stories in the oral tradition with children.
Scary Halloween stories and ghost stories for children have taken the place of ritual trials of adulthood for teenagers, according to Mr. Wolf. They also serve as a means for adults to warn children away from dangerous places or behavior. Ghost stories and scary Halloween stories in the oral tradition can be age appropriate and satisfying for families. Currently on his the Art of Storytelling shows website he has five interviews available for easy download about the art of telling scary Halloween stories.
Eric Wolf does not condone or support horror or the graphic use of violence. “It is possible, however, by carefully working within the confines of scary Halloween stories and ghost stories for children, to leave our audience psychologically stronger and more emotionally capable of dealing with their fears or the shock of real world disasters,” Mr. Wolf says.
You can now get all of the audio recordings from The Art of Storytelling with Brother Wolf delivered right to your desktop. Listen while you work or download them to your media player and take them with you on the road.
Tied of the tin ear? You can purchase high quality versions of the episodes at the downloads link above.
Storyteller Contact Information
Brother Wolf Storytelling
Eric James Wolf
P.O. Box 711
Yellow Springs, Ohio. 45387
(937) 767-8696
Some overseas storytellers and storytelling presenters have found email to be blocked by spam filters. If you wish, you can also reach me in a few days at
Brother Wolf, Extra Articles, International Storytelling, Professional Development | Brother Wolf | 
January 31, 2010 6:20 pm | 
Comments (2) 
